Vermi Cell: Third Surfacing at @maxgoelitzgallery

AI Tool(s) Used:

• Generative AI for 3D Modeling
• Data-driven Visualization Tools
• AI-Enhanced Lighting and Rendering

Description of Result:

This installation, titled “Vermi Cell,” was exhibited at the Max Goelitz Gallery in Munich. It represents the third iteration of the piece, previously displayed at Fragile Berlin and Bergen Kunsthall. The work blends organic shapes with digital and sculptural elements, showcasing an intricate, evolving structure that draws inspiration from biological and cellular systems.

Step-by-Step Breakdown:

1. Conceptualization: The artist conceptualizes “Vermi Cell” as an organic, evolving structure inspired by cellular and biological systems. The vision is to merge the physical and digital through sculpture.
2. 3D Modeling: Using generative AI, the artist creates complex 3D models that mimic cellular structures. The AI helps generate organic forms that are non-repetitive, mimicking the diversity found in nature.
3. Physical and Digital Integration: Once the digital model is refined, the artist likely uses data-driven tools to simulate lighting, texture, and surface qualities, achieving a lifelike appearance.
4. Sculpture Rendering and Production: The rendered digital model is translated into a physical form through 3D printing or other manufacturing techniques. The physical material chosen is made to resemble cellular membranes or organic tissue.
5. Lighting and Space Design: AI-driven tools help simulate the lighting in the exhibition space, allowing for interactive and dynamic shadows that shift based on the viewer’s position.
6. Final Exhibition: The work is set up in the gallery, creating a mesmerizing interaction between the digital projection and the organic physical sculpture.

Tips & Tricks:

• AI for Organic Complexity: When creating works inspired by nature, AI generative tools can simulate organic randomness and complexity that are hard to replicate manually.
• Lighting as an Experience: Utilize AI-driven lighting tools to craft environments where light interacts with the physical installation, enhancing its visual impact in different settings.
• Replicating Organic Surfaces: Experiment with different textures and surface materials to enhance the illusion of natural cellular structures in physical sculptures.

Annotation:

“Vermi Cell” plays on the fluid boundary between nature and technology. By creating a work that is both digital and physical, the artist offers a commentary on the interwoven relationship between organic life and computational processes. The title, which hints at the idea of cells, reflects a biological inspiration, drawing attention to how art can mimic or interpret natural forms using advanced digital techniques.

In the third iteration of “Vermi Cell,” the organic shapes seem to be suspended in an ethereal state, blurring the line between living organisms and data-driven structures. The way the piece integrates into different spaces (Berlin, Bergen, and Munich) shows its adaptability and evolutionary nature, much like the biological systems it is modeled after. By merging sculpture and generative AI, the work challenges the audience to consider the connections between life, art, and technology, and how each can evolve and adapt in new environments.

Instagram Post – Vermi Cell